Digitised Manuscripts of the National Library

In 2014, the Research Library in Olomouc digitised two manuscripts with theological and homiletic content. They both come from the second half of the 14th century; one formed part of the library of the Carthusian monastery in Prague – Smíchov (M I 326) while the other belonged to the monastery of the same order in Dolany (M II 246).

The documents of the National Library of the CR that have recently been digitised comprise mainly medieval manuscripts with theological and homiletic content, usually coming from the Czech lands from the 14th century or the beginning of the 15th century. Medical (VII.H.16) and liturgical (processional VI.G.3b from the beginning of the 14th century from the monastery of St George’s monastery at Prague Castle) manuscripts are represented as well. Three manuscripts from the collections of the former Thun-Hohenstein library in Děčín contain modern copies of diverse historical sources; likewise two manuscripts from the collections of the Slavonic Library have been digitised.

The digitisation of the National Archive collections continued by providing access to nine early printed books from the Waldstein Castle Library in the Doksy Chateau. They are all related to the events of the Thirty Year’s War, but they were printed in a broader time range (1629–1650) and in diverse lands (Germany, the Netherlands, Italy, England and Spain).

From the collections of the Museum of Eastern Bohemia in Hradec Králové, a homogeneous group of five sheet-music codices that were created in the 16th century and at the beginning of the 17th century and belonged to the literati brotherhood at the choir of the church of the Holy Spirit in Hradec Králové (Hr 30–34) has been digitised. They contain records of individual voices of Latin polyphonic motets and songs or sacramental hymns.

The digitisation of the collections of the Music Department of the National Library of the CR continued with four printed books; some of the codices were complemented by handwritten additions. Two of the books made accessible are binder’s volumes of voice books of vocal polyphony coming from the 16th century and printed in Germany and Switzerland; the Czech hymnal from 1727 was printed in the Old Town of Prague; and the last printed book was made in London in 1781.

Two alba amicorum in the collections of the North Bohemian Museum in Liberec were digitised: the album of Philippe Casimir Le Pieque (Inv. No. ST 307) comprises inscriptions from 1756–1762, made in various parts of Germany; 14 of them are accompanied by illustrations. The inscriptions in the album of Johann August Werlisch (Inv. No. ST 302) come from Nuremberg and Leipzig from 1774–1776 and two of them are decorated.

The Museum of West Bohemia in Pilsen digitised illuminated manuscript fragments and early printed books in 2014. Most fragments come from a sheet-music liturgical codex and comprise small cut-out initials; other fragments come from the period between the 15th century and 1745. The early printed books were made in Germany (Wittenberg, Leipzig) and Switzerland (Basel) in 1504–1517.

The Music Department of the National Library of the Czech Republic has recently made 40 manuscripts accessible. They are (exceptionally autographic) scores mostly from the second half of the 18th century and from the first half of the 19th century. The authors of the individual works include i.a. Josef Mysliveček, František Xaver Brixi, Jakub Jan Ryba, Vincenc Mašek, Leopold Koželuh, Jiří Ignác Linka and Jan Křtitel Vaňhal.